By Wittgenstein, Ludwig; Krkač, Kristijan; Wittgenstein, Ludwig
Ludwig Wittgenstein used to be essentially the most influential philosophers of the twentieth century. this article discusses his philosophical strategy in his later interval, occasionally often called morphology
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Additional resources for A custodian of grammar : essays on Wittgenstein's philosophical morphology
4501 Forbes Boulevard Suite 200 Lanham, Maryland 20706 UPA Acquisitions Department (301) 459-3366 Estover Road Plymouth PL6 7PY United Kingdom All rights reserved Printed in the United States of America British Library Cataloging in Publication Information Available Library of Congress Control Number: 2011935317 ISBN: 978-0-7618-5652-8 (paperback : alk. 48-1992 Acknowledgments First, I wish to thank Josip Lukin with whom I wrote the second, fourth, and fifth essay. Josip also reviewed all other essays and made many objections, suggestions, and corrections.
As such, they are coloured, still colour is unimportant if a small round represents a geometrical point, while if it represents a dot, then colour is essential, not representation functional. 1). Perhaps it is possible to suggest grammatical remarks such as: Dots (spots, specks) are small coloured rounds (circles, but not as annular lines). Points are places where two lines cross in the same geometrical plane. Points are represented by dots. Proposition (12) looks like a definition, proposition (13) looks like a grammatical remark, while proposition (11) looks like something in between.
PI 126) Nonetheless, these examples are mostly of visual phenomena because they are the simplest among all examples. Compare for instance examples including something that can be seen with an example of something that can be smelled, heard, tasted, or touched, or compare perceptual phenomena with for instance motivation, reasoning, or emotions, or even with economic, social, or cultural phenomena (or “possibility of phenomena” PI 90). There is the issue of simplicity also, since, an example of a clear description of a dot is clearly simpler than an example of clear description of a painting (or, compare whistling a single tone with whistling a whole composition).